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・ Sunday, Cruddy Sunday
・ Sunday Mercury
・ Sunday Mercury (New York)
・ Sunday Mirror
・ Sunday Mornin' (album)
・ Sunday Mornin' (Spanky and Our Gang song)
・ Sunday Mornin' Comin' Down
・ Sunday Morning
・ Sunday Morning (album)
・ Sunday Morning (Earth, Wind & Fire song)
・ Sunday Morning (k-os song)
・ Sunday Morning (Maroon 5 song)
・ Sunday Morning (No Doubt song)
・ Sunday Morning (poem)
・ Sunday Morning (radio program)
Sunday Morning (The Velvet Underground song)
・ Sunday Morning at the Centre of the World (play for voices)
・ Sunday Morning Call
・ Sunday Morning Coming Down (album)
・ Sunday Morning Fever
・ Sunday Morning in America
・ Sunday Morning Live
・ Sunday Morning Live (BBC TV programme)
・ Sunday morning talk show
・ Sunday Morning with Nat Stuckey and Connie Smith
・ Sunday Muse
・ Sunday News
・ Sunday News (New Zealand)
・ Sunday NFL Countdown
・ Sunday Night


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Sunday Morning (The Velvet Underground song) : ウィキペディア英語版
Sunday Morning (The Velvet Underground song)

"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album ''The Velvet Underground & Nico''. It was also released as a single in 1966 with "Femme Fatale".
==Recording==
In late 1966, "Sunday Morning" was the final song to be recorded for ''The Velvet Underground & Nico''. It was requested by Tom Wilson, who thought the album needed another song with lead vocals by Nico with the potential to be a successful single. The final master tape of side one of the album shows "Sunday Morning" only penciled in before "I'm Waiting for the Man".
In November 1966, Wilson brought the band into Mayfair Recording Studios in Manhattan. The song was written with Nico's voice in mind by Lou Reed and John Cale on a Sunday morning. The band previously performed it live with Nico singing lead, but when it came time to record it, Lou Reed sang the lead vocal. Nico would instead sing backing vocals on the song.
Aiming to create a hit for the album, "Sunday Morning" features noticeably more lush and professional production than the rest of the songs on the album. The song's prominent use of celesta was the idea of John Cale, who noticed the instrument in the studio and decided to use it for the song. He also played viola and piano via overdubs and Sterling Morrison, normally the secondary guitarist, played bass despite his dislike of the instrument.〔 According to the website, the quote is from John Cale’s autobiography, ''What’s Welsh for Zen'' (NY: St. Martin’s Press (2000).〕
According to Reed, the song's theme was suggested by Andy Warhol. "Andy said, 'Why don't you just make it a song about paranoia?' I thought that was great so I came up with 'Watch out, the world's behind you, there's always someone watching you,' which I feel is the ultimate paranoid statement in that the world cares enough to watch you."〔Bockris, p. 134-145〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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